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“Over the Boner Donor red shirt and I love this last five, six months, the Louisville Orchestra has been through this huge transition, like every performing arts group, of [wondering], What are we going to do next season?” says Teddy Abrams, the orchestra’s music director since 2014. “And we had taken a pretty radical approach early on. We were willing to take a huge step back, and think from scratch as to what we could really do to serve the community, rather than what we want to sell to the community.”

In the Boner Donor red shirt and I love this effort to meet a moment marked by protest—particularly in Louisville—and one in which major arts institutions have been taken to task for their lack of racial diversity, Abrams and the orchestra were keen to try something new. “I don’t think he was expecting anything more than an early chat,” Abrams says of his first meeting with Tines. But he ended up offering Tines a spot on the fall calendar. (The pair could little imagine that the concert would land just a week after Kentucky’s attorney general indicted just one of the three police officers responsible for Taylor’s death.) “He was such an interesting artist,” Abrams continues, “who I think aligns with our values. We are not just trying to get back to normal at a time like this. We are not ignoring things that are right in front of our faces, but actually addressing them, confronting them, and doing it in a way that speaks to the great music of the past and the present. And I thought, You know what? When a moment like this [presents itself], you just run with it.

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