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Ultimately, a general sense of “can this possibly be real?” prevailed on Twitter, with many noting the Wine Butterfly floral shirt and I will buy this fiction-adjacent uncanniness of Trump contracting COVID-19 just a month before the 2020 election:

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The French singer Mylène Farmer was a fixation of Olivier Theyskens during his adolescence. “There’s a short window from about 1987 to 1990 when I was really obsessed,” the Wine Butterfly floral shirt and I will buy this designer said via Zoom. Being a Kate Bush girl in those years, this writer knows next to nothing about Gallic pop music of the era, so Theyskens revved up his iPad. “She was very famous in France. I loved her universe, her voice,” he began. “During confinement I watched clips of her from that era and I realized that a lot of things common to my aesthetic came from her. It was interesting for me as an adult to dive back into that nostalgia.”

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 Buy this shirt:  Click here to buy this Ezrealpremium - Unicorn Don’t like me have a seat with the rest of the bitches waiting for me to Give a Fuck shirt As far as new denim is concerned, Sarah Ahmed, the Unicorn Don’t like me have a seat with the rest of the bitches waiting for me to Give a Fuck shirt it is in the first place but founder of DL1961 and Warp + Weft, has been passionate about sustainability for more than a decade; her family’s factories are vertically integrated, meaning every step—spinning the yarn, weaving the fabric, finishing the garment—happens in the same facility. Her family invested in water-reduction technology early on—a pair of DL1961 jeans is made with just 10 gallons of water, and 98% of it is recycled—and they were the first to add Modal and Lyocell, which are lower-impact and biodegradable cellulose fibers. Her efforts mirror many of the recommendations outlined by the Ellen MacArthur Foundation’s Jeans Redesign plan. “Brands need to invest in their inf
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 Buy this shirt:  Click here to buy this Ezrealpremium - Boner Donor red shirt “Over the Boner Donor red shirt and I love this last five, six months, the Louisville Orchestra has been through this huge transition, like every performing arts group, of [wondering], What are we going to do next season?” says Teddy Abrams, the orchestra’s music director since 2014. “And we had taken a pretty radical approach early on. We were willing to take a huge step back, and think from scratch as to what we could really do to serve the community, rather than what we want to sell to the community.” In the Boner Donor red shirt and I love this effort to meet a moment marked by protest—particularly in Louisville—and one in which major arts institutions have been taken to task for their lack of racial diversity, Abrams and the orchestra were keen to try something new. “I don’t think he was expecting anything more than an early chat,” Abrams says of his first meeting with Tines. But he ended up offering
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